YuriPrado1

Vince Guaraldi Trio: Christmastime Is Here

2009-12-24T15:53:00.002-02:00

Happy christmas for everyone!

happy halloween with BAUHAUS!

2009-10-31T01:02:00.001-02:00

what am I doing now.

2009-10-07T18:18:00.011-03:00

These days I am vastly influenced by Russia; in many aspects; like literature and music.

In literature: Фёдор Миха́йлович Достое́вский - or translating to our words, Fyodor Mikhaylovich Dostoyevsky. One of the most important authors of Russia in the XIXth century. The book: 'Записки из подполья' - or 'Zapiski iz podpolya' - or on english translation: 'Notes from Underground' - or even in portuguese which I had read, 'Memórias do Subsolo'.

'Notes from Underground' is considered by many to be the world's first existentialist novel. It presents itself as an excerpt from the rambling memoirs of a bitter, isolated, unnamed narrator who is ever paradoxical with his thoughts, but make us know more about the mind of the people on that time.
A book I highly recommend!

Photo: Dostoyevsky statue outside the Lenin Library, Moscow. Photo by Rob Sheridan

In music, what's greater than The Red Russian Army Choir? Here is 'Kalinka':

And another russian folk song: 'Korobeiniki', or 'Korobushka' for balalaika:

'Korobushka', the same, but this time sung and performed by Barynya:

other sounds

2009-08-31T18:32:00.004-03:00

Art Blakey - gênio do jazz

Алексей Архиповский "Ваня"- russo com o interessante instrumento: balalaika

Pierre Henry "Psyché Rock" - 1967; refeita depois como tema da série de Matt Groening 'Futurama'

autumn effect

2009-08-16T20:51:00.002-03:00

autumn effect, upload feito originalmente por Yuri Almeida Prado.

updated: http://www.flickr.com/yuriprado1

Precious

2009-08-02T22:35:00.001-03:00

Precious, upload feito originalmente por Jennerator.

Bike

2009-07-31T19:35:00.002-03:00

An awesome song needs an awesome video - I pick up the old video (from 1968) and just add a remastered version of the song; just to keep the things more clear.

Ahh my childhood... is coming back

2009-07-29T00:28:00.003-03:00

http://disney.go.com/toystory/

The Death of a Drifter - Part II; The last of 'Voyage'

2009-07-26T22:11:00.006-03:00

10. The Death of a Drifter - Part II, upload feito originalmente por SpacesMusic.

&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;a href="http://spaces.bandcamp.com/track/the-death-of-a-drifter-part-ii"&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;The Death of a Drifter - Part II by Spaces&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;lt;/a&amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;amp;gt;

the last song from Spaces debut album 'Voyage' is out now.
if you don't know them, you are losing an amazing band!; listen to them and download their songs here: http://spaces.bandcamp.com/

http://spacesmusic.tumblr.com/

2009-07-23T13:08:00.000-03:00

2009-07-17T23:50:00.001-03:00

2009-07-17T12:16:00.000-03:00

2009-07-16T21:08:00.001-03:00

2009-07-13T17:18:00.000-03:00

2009-07-11T17:57:00.002-03:00

District 9

2009-07-10T14:21:00.001-03:00

D-9.com

spaces

2009-07-09T21:14:00.006-03:00

<a href="http://spaces.bandcamp.com/album/voyage">At Sea by Spaces</a>

Black Mountain

2009-07-09T16:14:00.001-03:00

BlackMountainArmy.com

A little poetry

2009-07-04T16:15:00.012-03:00

Tale From a Distant Time

Little loners
dining monsters
alive and in motion
without any kind of notion;

There and back again
the dying man
knows that no one can
survive to rule again;

In the gray lands
the war bring them all
their fall;

Now darkness rise
and anyone realize
how great was the dark size;

The green on the ground
do not grow more around;
Vapor comes underground
making the annoying sound;

Through the dark cloud
thunders are loud;
Rainbows don't appear after rain
what comes is only pain;

In the city all the houses
are infested by mouses;
people try to burn it
but it's hard to admit
they fail
while hail.

yuri prado

Music tips:

Folque
listen to folque - a really cool folk rock norwegian band.

And here is a little masterpiece of the psychedelic rock: The 13th Floor Elevators:

Q: Wanna laugh and see cool things?
A: Awesome things can be found here: http://www.eitaporravelho.blogspot.com/ - as ever at Otávio Tersi's blog

to finish as ever, another Nine Inch Nails live video:

NIN: "The Becoming" live from on stage at the Sasquatch Festival, 5.24.09 [HD] from Nine Inch Nails on Vimeo.

nothing new...

2009-06-26T19:40:00.002-03:00

i just finally updated my deviantART: http://yuriprado.deviantart.com/
the same photos and more are at flickr too: http://flickr.com/yuriprado1

061909

2009-06-19T16:52:00.004-03:00

They don't live here
They could live there
They climb up trees
To go nowhere

061709

2009-06-17T22:15:00.004-03:00

''The Hobbit'' by J. R. R. Tolkien

Reading - and I'm still reading (currently on chapter III of book VI on The Return Of The King) - The Lord Of the Rings we discover a new land, a new world, a new mythology.
Tolkien have power with his words to transport us to his own world - in TLoTR the continent of Middle-Earth.
But I will not write more about The Lord Of The Rings, even because I have to finish it.
And what I want with that ''The Hobbit'' classic cover above? I just wanna say that the Ring saga was so amazing that now I need to read more of Tolkien. ''The Hobbit'' will be the next! I have actually bought it: http://tinyurl.com/lxhux6 - ''The Hobbit'' will also be the next Tolkien book that will be adapted to the movies (coming 2011). - another reason to read it!

See you soon.

2009-06-07T20:22:00.006-03:00

'There's a hobbit hole
that a man stole.
He was killed by orcs
checking his porks.

Looking to the space
they saw the face;
Their dark lord
that couldn't afford
everything they thought
'cause he has been caught
by the mighty thought
of the greater king
that really sing
and doomed everthing''

Yuri Prado

I don't know why I wrote that, all I know is that I'm really reading to much the master Tolkien and listening to much Pink Floyd' ''The Piper At The Gates of Dawn'' - where there is a lot of psychedelic thoughts by the master Syd Barrett.

Changing the subject - There's a really cool movie coming soon: MOON

That's all!
No! That's no all!

Another awesome video by Nine Inch Nails filmed by Rob Sheridan on stage.

NIN: "Survivalism" with Saul Williams, live from on stage, Atlanta 5.10.09 from Nine Inch Nails on Vimeo.

Now that's all!

Finally! Upload complete!

2009-06-01T19:27:00.002-03:00

http://flickr.com/yuriprado1/

coming soon...

2009-05-30T15:15:00.005-03:00

soon* new photos on my flickr.
just a demonstration of what's coming:

new header added to blog; the image on the header is a new photo too.

* I can't post more photos this month because Flickr have limits for ''non-premium'' users - just 100mb per month. But there is only 2 days for June. So let's wait 2 fraking days!

Tip

2009-05-23T15:04:00.004-03:00

Eita Porra Véi! - Blog de um artista; de um grande amigo e de um cara de extremo bom gosto! O grande Otávio Tersi, ainda se dedica a arte - vale apena conferir sua página no DeviantART (nem pense duas vezes! vá ver!). E isso sem contar em seus trabalhos pela One More Coffee como webdesigner. Realmente fantástico!

GOLLUM OUT NOW!

2009-05-03T20:19:00.002-03:00

GO AND WATCH THE HUNT FOR GOLLUM!
http://www.thehuntforgollum.com/

The Hunt For Gollum

2009-04-25T22:18:00.003-03:00

The Hunt For Gollum poster

The Hunt For Gollum is a 40 minute independent film inspired by The Lord of the Rings which is to be released to the internet for free on May 3 2009. ''a film made by fans to fans''

TheHuntForGollum.com

Earth To The Remix Vol 2

2009-04-18T15:28:00.003-03:00

DandyWarhols.com

NIN iPhone app!

2009-04-07T21:55:00.002-03:00

NIN: Access iPhone app walkthrough with Trent Reznor, Rob Sheridan, and special guest Kevin Rose from Nine Inch Nails on Vimeo.

more @ Wired

access.nin.com
nin.com

Röyksopp 'Junior'

2009-03-24T21:13:00.002-03:00

Röyksopp's new album 'Junior' out now.

Happy Up Here from Röyksopp on Vimeo.

Happy Up Here (Marching Band Version) from Röyksopp on Vimeo.

From The Journeys Of Röyksopp from Röyksopp on Vimeo.

Röyksopp.com

Space Invaders

2009-03-22T11:51:00.002-03:00

Space Invaders made by Neave Games

// Control keys:
Move left – left arrow key
Move right – right arrow key
Fire laser – space key
Pause game – P
Quit game – Q
Mute sound – M

Asteroids - The classic!

2009-03-22T11:43:00.003-03:00

Asteroids made by Neave Games

// Control keys
Use the arrow keys to move
Fire missile – space key
Hyperspace – ctrl or shift key
Pause game – P
Quit game – Q
Mute sound – M

When I Grow Up

2009-03-21T19:01:00.000-03:00

When I Grow Up from Fever Ray on Vimeo.

FeverRay.com

NIN|JA 2009 live!

2009-03-21T18:56:00.003-03:00

http://www.ninja2009.com/

Download the E.P - Free unreleased tracks from Nine Inch Nails, Jane's Addiction and Street Sweeper.

nin.com

The Dandy Warhols

2009-03-19T16:40:00.003-03:00

DandyWarhols.com

On stage live NIN performances; Part 2

2009-03-06T21:41:00.001-03:00

NIN: The Fragile live from on stage, Adelaide 2.28.09 [HD] from Nine Inch Nails on Vimeo.

NIN: Wish live with Ben & Greg from The Dillinger Escape Plan - Adelaide, 2.28.09 [HD] from Nine Inch Nails on Vimeo.

NIN: Letting You live from on stage, Brisbane 2.21.09 [HD] from Nine Inch Nails on Vimeo.

nin.com

On stage NIN live performances

2009-02-27T17:34:00.003-03:00

Incredible, astonishing videos filmed by Rob Sheridan with the Canon 5D Mark II.

1,000,000 Live from on stage, Sydney 2.22.09 [HD] from Nine Inch Nails on Vimeo.

Burn Live from on stage, Melbourne 2.25.09 [HD] from Nine Inch Nails on Vimeo.

NIN.COM

NIN @ Sydney

2009-02-25T10:43:00.003-03:00

NIN Sydney 2.24.09 - Mid-show Power Outage [HD] from Nine Inch Nails on Vimeo.
[Footage by Rob Sheridan; he used the Canon 5D Mark II]

This is posted on the wall outside the venue:

Funny!

nin.com

Nine Inch Nails - Portland 'Gift' Footage

2009-02-21T23:28:00.002-03:00

Fever Ray

2009-02-01T10:54:00.002-02:00

'If I Had A Heart'

feverray.com

Arthur C. Clarke History Lesson

2009-01-22T20:20:00.001-02:00

Arthur C. Clarke
1949 Better Publications Inc.
_________________________

No one could remember when the tribe had begun its long journey. The land of great rolling plains that had been its first home was now no more than a half-forgotten dream.
For many years Shann and his people had been fleeing through a country of low hills and sparkling lakes, and now the mountains lay ahead. This summer they must cross them to the southern lands. There was little time to lose. The white terror that had come down from the Poles, grinding continents to dust and freezing the very air before it, was less than a day's march behind.

Shann wondered if the glaciers could climb the mountains ahead, and within his heart he dared to kindle a little flame of hope. This might prove a barrier against which even the remorseless ice would batter in vain. In the southern lands of which the legends spoke, his people might find refuge at last.
It took weeks to discover a pass through which the tribe and the animals could travel. When midsummer came, they had camped in a lonely valley where the air was thin and the stars shone with a brilliance no one had ever seen before.
The summer was waning when Shann took his two sons and went ahead to explore the way. For three days they climbed, and for three nights slept as best they could on the freezing rocks, and on the fourth morning there was nothing ahead but a gentle rise to a cairn of gray stones built by other travelers, centuries ago.

Shann felt himself trembling, and not with cold, as they walked toward the little pyramid of stones. His sons had fallen behind. No one spoke, for too much was at stake. In a little while they would know if all their hopes had been betrayed.
To east and west, the wall of mountains curved away as if embracing the land beneath. Below lay endless miles of undulating plain, with a great river swinging across it in tremendous loops. It was a fertile land; one in which the tribe could raise crops knowing that there would be no need to flee before the harvest came.
Then Shann lifted his eyes to the south, and saw the doom of all his hopes. For there at the edge of the world glimmered that deadly light he had seen so often to the north-the glint of ice below the horizon.
There was no way forward. Through all the years of flight, the glaciers from the south had been advancing to meet them. Soon they would be crushed beneath the moving walls of ice . . .

Southern glaciers did not reach the mountains until a generation later. In that last summer the sons of Shann carried the sacred treasures of the tribe to the lonely cairn overlooking the plain. The ice that had once gleamed below the horizon was now almost at their feet. By spring it would be splintering against the mountain walls.
No one understood the treasures now. They were from a past too distant for the understanding of any man alive. Their origins were lost in the mists that surrounded the Golden Age, and how they had come at last into the possession of this wandering tribe was a story that now would never be told. For it was the story of a civilization that had passed beyond recall.

Once, all these pitiful relics had been treasured for some good reason, and now they had become sacred though their meaning had long been lost. The print in the old books had faded centuries ago though much of the lettering was still visible-if there had been any to read it. But many generations had passed since anyone had had a use for a set of seven-figure logarithms, an atlas of the world, and the score of Sibelius' Seventh Symphony printed, according to the flyleaf, by H. K. Chu and Sons, at the City of Pekin in the year 2371 A.D.

The old books were placed reverently in the little crypt that had been made to receive them. There followed a motley collection of fragments-gold and platinum coins, a broken telephoto lens, a watch, a cold-light lamp, a microphone, the cutter from an electric razor, some midget radio tubes, the flotsam that had been left behind when the great tide of civilization had ebbed forever.

All these treasures were carefully stowed away in their resting place. Then came three more relics, the most sacred of all because the least understood.
The first was a strangely shaped piece of metal, showing the coloration of intense heat. It was, in its way, the most pathetic of all these, symbols from the past, for it told of man's greatest achievement and of the future he might have known. The mahogany stand on which it was mounted bore a silver plate with the inscription:
Auxiliary Igniter from Starboard Jet Spaceship "Morning Star" Earth-Moon, A.D. 1985
Next followed another miracle of the ancient science-a sphere of transparent plastic with strangely shaped pieces of metal imbedded in it. At its center was a tiny capsule of synthetic radio element, surrounded by the converting screens that shifted its radiation far down the spectrum. As long as the material remained active, the sphere would be a tiny radio transmitter, broadcasting power in all directions. Only a few of these spheres had ever been made.-They had been designed as perpetual beacons to mark the orbits of the asteroids. But man had never reached the asteroids and the beacons had never been used.

Last of all was a flat, circular tin, wide in comparison with its depth. It was heavily sealed, and rattled when shaken. The tribal lore predicted that disaster would follow if it was ever opened, and no one knew that it held one of the great works of art of nearly a thousand years before.
The work was finished. The two men rolled the stones back into place and slowly began to descend the mountainside. Even to the last, man had given some thought to the future and had tried to preserve something for posterity.
That winter the great waves of ice began their first assault on the mountains, attacking from north and south. The foothills were overwhelmed in the first onslaught, and the glaciers ground them into dust. But the mountains stood firm, and )When the summer came the ice retreated for a while.
So, winter after winter, the battle continued, and the roar of the avalanches, the grinding of rock and the explosions of splintering ice filled the air with tumult. No war of man's had been fiercer than this, and even man's battles had not quite engulfed the globe as this had done.

At last the tidal waves of ice began to subside and to creep slowly down the flanks of the mountains they had never quite subdued. The valleys and passes were still firmly in their grip. It was stalemate. The glaciers had met their match, but their defeat was too late to be of any use to man.
So the centuries passed, and presently there happened something that must occur once at least in the history of every world in the universe, no matter how remote and lonely it may be.
The ship from Venus came five thousand years too late, but its crew knew nothing of this. While still many millions of miles away, the telescopes had seen the great shroud of ice that made Earth the most brilliant object in the sky next to the sun itself.

Here and there the dazzling sheet was marred by black specks that revealed the presence of almost buried mountains. That was all. The rolling oceans, the plains and forests, the deserts and lakes -all that had been the world of man was sealed beneath the ice, perhaps forever.
The ship closed in to Earth and established an orbit less than a thousand miles away. For five days it circled the planet, while cameras recorded all that was left to see and a hundred instruments gathered information that would give the Venusian scientists many years of work.

An actual landing was not intended. There seemed little purpose in it. But on the sixth day the picture changed. A panoramic monitor, driven to the limit of its amplification, detected the dying radiation of the five-thousand-year-old beacon. Through all the centuries, it had been sending out its signals with ever-failing strength as its radioactive heart steadily weakened.
The monitor locked on the beacon frequency. In the control room, a bell clamored for attention. A little later, the Venusian ship broke free from its orbit and slanted down toward Earth, toward a range of mountains that still towered proudly above the ice, and to a cairn of gray stones that the years had scarcely touched . . . .

The great disk of the sun blazed fiercely in a sky no longer veiled with mist, for the clouds that had once hidden Venus had now completely gone. Whatever force had caused the change in the sun's radiation had doomed one civilization, but had given birth to another. Less than five thousand years before, the half-savage people of Venus had seen sun and stars for the first time. Just as the science of Earth had begun with astronomy, so had that of Venus, and on the warm, rich world that man had never seen progress had been incredibly rapid.

Perhaps the Venusians had been lucky. They never knew the Dark Age that held man enchained for a thousand years. They missed the long detour into chemistry and mechanics but came at once to the more fundamental laws of radiation physics. In the time that man had taken to progress from the Pyramids to the rocket-propelled spaceship, the Venusians had passed from the discovery of agriculture to antigravity itself-the ultimate secret that man had never learned.
The warm ocean that still bore most of the young planet's life rolled its breakers languidly against the sandy shore. So new was this continent that the very sands were coarse and gritty. There had not yet been time enough for the sea to wear them smooth.

The scientists lay half in the water, their beautiful reptilian bodies gleaming in the sunlight. The greatest minds of Venus had gathered on this shore from all the islands of the planet. What they were going to hear they did not know, except that it concerned the Third World and the mysterious race that had peopled it before the coming of the ice.
. The Historian was standing on the land, for the instruments he wished to use had no love of water. By his side was a large machine which attracted many curious glances from his colleagues. It was clearly concerned with optics, for a lens system projected from it toward a screen of white material a dozen yards away.
The Historian began to speak. Briefly he recapitulated what little had been discovered concerning the Third Planet and its people.

He mentioned the centuries of fruitless research that had failed to interpret a single word of the writings of Earth. The planet had been inhabited by a race of great technical ability. That, at least, was proved by the few pieces of machinery that had been found in the cairn upon the mountain.

"We do not know why so advanced a civilization came to an end," he observed. "Almost certainly, it had sufficient knowledge to survive an ice Age. There must have been some other factor of which we know nothing. Possibly disease or racial degeneration may have been responsible. It has even been suggested that the tribal conflicts endemic to our own species in prehistoric times may have continued on the Third Planet after the coming of technology.

"Some philosophers maintain that knowledge of machinery does not necessarily imply a high degree of civilization, and it is theoretically possible to have wars in a society possessing mechanical power, flight, and even radio. Such a conception is alien to our thoughts, but we must admit its possibility. It would certainly account for the downfall of the lost race.
"it has always been assumed that we should never know anything of the physical form of the creatures who lived on Planet Three. For centuries our artists have been depicting scenes from the history of the dead world, peopling it with all manner of fantastic beings. Most of these creations have resembled us more or less closely, though it has often been pointed out that because we are reptiles it does not follow that all intelligent life must necessarily be reptilian.
"We now know the answer to one of the most baffling problems of history. At last, after hundreds of years of research, we have discovered the exact form and nature of the ruling life on the Third Planet."

There was a murmur of astonishment from the assembled scientists. Some were so taken aback that they disappeared for a while into the comfort of the ocean, as all Venusians were apt to do in moments of stress. The Historian waited until his colleagues reemerged into the element they so disliked. He himself was quite comfortable, thanks to the tiny sprays that were continually playing over his body. With their help he could live on land for many hours before having to return to the ocean.
The excitement slowly subsided and the lecturer continued:
"One of the most puzzling of the objects found on Planet Three was a flat metal container holding a great length of transparent plastic material, perforated at the edges and wound tightly into a spool. This transparent tape at first seemed quite featureless, but an examination with the new subelectronic microscope has shown that this is not the case. Along the surface of the material, invisible to our eyes but perfectly clear under the correct radiation, are literally thousands of tiny pictures. It is believed that they were imprinted on the material by some chemical means, and have faded with the passage of time.

"These pictures apparently form a record of life as it was on the Third Planet at the height of its civilization. They are not independent. Consecutive pictures are almost identical, differing only in the detail of movement. The purpose of such a record is obvious. It is only necessary to project the scenes in rapid succession to give an illusion of continuous movement. We have made a machine to do this, and I have here an exact reproduction of the picture sequence.
"The scenes you are now going to witness take us back many thousands of years, to the great days of our sister planet. They show a complex civilization, many of whose activities we can only dimly understand. Life seems to have been very violent and energetic, and much that you will see is quite baffling.

"It is clear that the Third Planet was inhabited by a number of different species, none of them reptilian. That is a blow to our pride, but the conclusion is inescapable. The dominant type of life appears to have been a two-armed biped. It walked upright and covered its body with some flexible material, possibly for protection against the cold, since even before the Ice Age the planet was at a much lower temperature than our own world. But I will not try your patience any further. You will now see the record of which I have been speaking."
A brilliant light flashed from the projector. There was a gentle whirring, and on the screen appeared hundreds of strange beings moving rather jerkily to and fro. The picture expanded to embrace one of the creatures, and the scientists could see that the Historian's description had been correct.
The creature possessed two eyes, set rather close together, but the other facial adornments were a little obscure. There was a large orifice in the lower portion of the head that was continually opening and closing. Possibly it had something to do with the creature's breathing.

The scientists watched spellbound as the strange being became involved in a series of fantastic adventures. There was an incredibly violent conflict with another, slightly different creature. It seemed
certain that they must both be killed, but when it was all over neither seemed any the worse.
Then came a furious drive over miles of country in a four wheeled mechanical device which was capable of extraordinary feats of locomotion. The ride ended in a city packed with other vehicles moving in all directions at breathtaking speeds. No one was surprised to see two of the machines meet head-on with devastating results.
After that, events became even more complicated. It was now quite obvious that it would take many years of research to analyze and understand all that was happening. It was also clear that the record was a work of art, somewhat stylized, rather than an exact reproduction of life as it actually had been on the Third Planet.

Most of the scientists felt themselves completely dazed when the sequence of pictures came to an end. There was a final flurry of motion, in which the creature that had been the center of interest became involved in some tremendous but incomprehensible catastrophe. The picture contracted to a circle, centered on the creature's head.
The last scene of all was an expanded view of its face, obviously expressing some powerful emotion. But whether it was rage, grief, defiance, resignation or some other feeling could not be guessed. The picture vanished. For a moment some lettering appeared on the screen, then it was all over.

For several minutes there was complete silence, save for the lapping of the waves upon the sand. The scientists were too stunned to speak. The fleeting glimpse of Earth's civilization had had a shattering effect on their minds. Then little groups began to start talking together, first in whispers and then more and more loudly as the implications of what they had seen became clearer. Presently the Historian called for attention and addressed the meeting again.
"We are now planning," he said, "a vast program of research to extract all available knowledge from this record. Thousands of copies are being made for distribution to all workers. You win appreciate the problems involved. The psychologists in particular have an immense task confronting them.

"But I do not doubt that we shall succeed. In another generation, who can say what we may not have learned of this wonderful race? Before we leave, let us look again at our remote cousins,

whose wisdom may have surpassed our own but of whom so little has survived."
Once more the final picture flashed on the screen, motionless this time, for the projector had been stopped. With something like awe, the scientists gazed at the stiff figure from the past, while in turn the little biped stared back at them with its characteristic expression of arrogant bad temper.

For the rest of time it would symbolize the human race. The psychologists of Venus would analyze its actions and watch its every movement until they could reconstruct its mind. Thousands of books would be written about it. Intricate philosophies would be contrived to account for its behavior.
But all. this labor, all this research, would be utterly in vain. Perhaps the proud and lonely figure on the screen was smiling sardonically at the scientists who were starting on their age-long fruitless quest.

Its secret would be safe as long as the universe endured, for no one now would ever read the lost language of Earth. Millions of times in the ages to come those last few words would flash across the screen, and none could ever guess their meaning:
............................A Walt Disney Production.

2009-01-22T14:42:00.002-02:00

After watching 2001, and 2010 odysseys I wanted to read the books, cause Arthur C. Clarke makes we go to other worlds. So here are the pdf of the monolith quadrilogy:

thumbalizr

2009-01-22T14:33:00.003-02:00

thumb your webpages with thumbalizr.

my twitter page thumb

Battlestar Galactica

2009-01-13T22:56:00.006-02:00

Battlestar Galactica page at iTunes.

Stay alert for Battlestar auction!

Lots of cool things are there: BattlestarProps.com

And here is the trailer for the Season 4 .5

SciFi.com/Battlestar

NIN releases 400gb of free HD concert footage via torrents!

2009-01-07T22:53:00.001-02:00

A couple months ago Trent Reznor publicly sounded off about the difficulties he faced with his old record company that prevented him from filming a 3D concert film. Now he's inviting fans to make their own DVD by offering over 400gb of raw HD concert footage free via NIN's own torrent tracker._______________________________________________________________________nin.com

read more | digg story

CC licensed NIN album is AMAZON's #1 MP3 bestseller for 2008

2009-01-06T10:11:00.001-02:00

NIN's Ghosts I-IV was and is available legally from day 1 of release under CC BY-NC-SA and on P2P sites, yet is Amazon's #1 best selling MP3 album for all of 2008.

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Bit Shifter

2009-01-05T12:30:00.000-02:00

Bit Shifter // Blip Festival 2007: The Videos from 2 Player Productions on Vimeo.

http://bit.shifter.net/

embedit.in

2008-12-29T14:39:00.002-02:00

embedit.in is a new cool service that allows you to embed your files to blogs

I embed Dearly Devoted Dexter by Jeff Lindsay; the second book of the killer character that inspired the showtime tv series DEXTER.

KRAFTWERK + RADIOHEAD!!!

2008-12-20T00:11:00.005-02:00

I can't lose this show!
http://www.radiohead.com/tourdates/22mar_saopaolo.html

Kraftwerk: Tour de France

Radiohead: 15 Step

Radiohead.com/
Kraftwerk.com/

Out of the studio, onto the stage.

2008-12-18T22:59:00.001-02:00

Apple has posted a promo video for Logic Studio featuring Nine Inch Nails.

Apple.com/LogicStudio/Action/
nin.com

Trent interview Trent!

2008-12-18T22:50:00.000-02:00

Trent Reznor Interview, 12.13.08
by trentisthenewpink

nin.com

Michael C. Hall talks about Dexter's Season 3 Finale

2008-12-15T20:42:00.002-02:00

The Day the Earth Stood Still

2008-12-12T15:02:00.003-02:00

Today is The Day the Earth Stood Still! Unfortunately not here on Brazil - here we have to wait January 9.
Here are the trailer of the remake and after, the trailer, of the 1951's classic. The 1951 is for me one of the best Sci-fi movies ever. I hope the remake don't dissapoint anyone - including me!

http://www.dtessmovie.com/

DEXTER: SESSION 3: EPISODE 12

2008-12-09T15:18:00.003-02:00

"DO YOU TAKE DEXTER MORGAN?"

With Miguel out of the picture, Dexter’s focus shifts to calming his emotionally unstable brother, Ramon. Upon easing Ramon’s concerns, Dexter can finally breathe again. All that stands before him now is his wedding with Rita… until he’s met with yet another deadly surprise. Meanwhile, Debra’s informed by Batista that she is going to receive her Detective’s shield, but is instantly blindsided with information that could potentially derail her promotion.

Previews:

SHO.com/DEXTER

Fanboys

2008-12-07T20:21:00.002-02:00

'Absurdly nerdy, but how could I not go see it?'

February 6, 2009
http://www.fanboys-themovie.com/

curtain call

2008-12-03T23:04:00.004-02:00

Trent Reznor words, from nin.com:

File this one under lost opportunities.

I'm very proud of the show we've put together for this tour and have been working hard the last few months to find a way to capture it. I had an amazing situation lined up that would have allowed me to film the show in 3D with James Cameron's team for a theatrical release as well as DVD / BluRay, etc. We had an extra date added to the tour that we were going to give away all the tickets for and have a filming party / thank you show.

I made two critical mistakes. One was to approach a certain record company that owns some of the song rights about producing / funding. The second was to allow said company to fuck around as usual for months before saying um... no. We then achieved the impossible by finding alternate production / funding but the timetable is too rushed to get it filmed comfortably with the remaining time left on the tour. This tour and a lot of the personnel involved finish at the end of this leg, so we can't push filming into Jan / Feb.

Deep breath...
This was an amazing tour and production - certainly the best thing I've ever been involved with and likely the final tour for NIN on this scale. Thank you to those who came out to see it and forgive me for having a Kanye West moment, but this was FOR SURE the best show of the year and any bullshit end-of-the-year poll you may read in the next few weeks that says otherwise simply has it wrong. Those of you who saw it know I'm right.

The shows we have announced in 2009 and any more that may be announced will be a completely different approach with some different personnel and will likely be the last for the foreseeable future.

posted by trent reznor at 4:28.

NIN.com

DEXTER: SESSION 3: EPISODE 11

2008-12-03T19:06:00.002-02:00

PREVIEWS:

Sho.com/DEXTER

Brothers in Arms: Hour of Heroes [iPhone]

2008-12-02T18:14:00.003-02:00

Brothers in Arms: Hour of Heroes [iTunes Store]

101208-4

2008-11-30T00:02:00.000-02:00

101208-4 by blindoldfreak

blindoldfreak.com

DEXTER: SESSION 3: EPISODE 10

2008-11-29T11:39:00.003-02:00

PREVIEWS

SHO.com/DEXTER

Jonas Sá

2008-11-26T15:56:00.005-02:00

Brazilian musician Jonas Sá.
Mix of country, rock with SYNTHESIZERS.

Anormal
ANORMAL!!

http://www.myspace.com/jonassah

Lights In The Sky on soundcheck

2008-11-24T22:42:00.000-02:00

NIN Trent soundcheck Lights In the Sky from cale parks on Vimeo.

Dexter - 3rd Session, Episode 09

2008-11-20T18:04:00.001-02:00

Previews

Sho.com/Dexter

Lights In The Sky 2008 Tour Ad

2008-11-20T17:10:00.001-02:00

Nine Inch Nails - Lights In The Sky 2008 tour ad from Nine Inch Nails on Vimeo.

Star Trek!

2008-11-18T20:00:00.000-02:00

Star Trek from Yuri Prado on Vimeo.

StarTrekMovie.com

Grafitti Monsters

2008-11-16T18:06:00.005-02:00

Mark DeNardo live.

THB from 2 Player Productions on Vimeo.

100% from 2 Player Productions on Vimeo.

Mark Denardo's Soundtrack Sessions from 2 Player Productions on Vimeo.

MarkDeNardo.com

Freese we're going to miss you.... Welcome Ilan Rubin

2008-11-16T00:12:00.005-02:00

With great pride and excitement I announce the addition of Ilan Rubin to the lineup beginning next year. I had the chance to see Ilan playing his ass off at Reading and Leeds a couple summers ago and he blew me away. We recently invited him out to rehearse with us and he blew US away - the perfect guy to pick up the sticks after Josh leaves us at the end of the year.

Stay tuned for some 2009 tour announcements soon.

posted by trent reznor at 6:09pm

nin.com

Now... twitting!

2008-11-15T23:55:00.001-02:00

http://twitter.com/yuri_prado

Closer

2008-11-15T10:04:00.002-02:00

See this live performance of Nine Inch Nails playing CLOSER on Montreal, Canada, 11.12.08:

Yeah! Trent has a a camera CLOSER his face. F*&@$%# Cool!

nin.com

Ade Fenton

2008-11-13T23:07:00.003-02:00

Ade Fenton and Gary Numan

Healing (feat Gary Numan)

AdeFenton.com

111108

2008-11-13T21:26:00.001-02:00

111108 from blindoldfreak on Vimeo.

blindoldfreak.com

Dexter - 3rd Session, Episode 08

2008-11-13T21:17:00.001-02:00

Previews

Multiplayer Chess on the iPhone

2008-11-13T20:49:00.003-02:00

I need to say something? An Awesome game for iPhone/iPod Touch. Available here for US$5. Requires firmware 2.1 or higher. To the next version of the game (1.1) the guys promised a chat and hard virtual masters. Soon they will launch new titles of Games With Friends.

NewToy.com

NIN + Peter Murphy!

2008-11-10T18:31:00.003-02:00

New pictures at NIN's Flickr. Including a few with Peter Murphy.

HOB in Atlantic City, NJ. 11.06.08

Worcester, Massachusetts. 11.09.08

nin.com

Purest Feeling

2008-11-09T18:08:00.002-02:00

Nine Inch Nails - Purest Feeling; Pretty Hate Machine Demos.
November 1988, Right Track Studio, Cleveland, Ohio
01. Intro
02. Sanctified
03. Maybe Just Once (unreleased)
04. The Only Time
05. Kinda I Want To
06. That's What I Get
07. Purest Feeling (unreleased)
08. Ringfinger
09. Down In It

bitrate: 320kbs
Nine Inch Nails - Purest Feeling (Pretty Hate Machine Demos)

blindoldfreak

2008-11-06T22:57:00.005-02:00

blindoldfreak is a new Alessandro Cortini's project.

''music written on the 200e.
vocals overdubbed''

13 by blindoldfreak

13.

Headphones recommended.

http://blindoldfreak.com/

2008-11-03T13:38:00.002-02:00

NIN Flickr updated with South America + Mexico photos.
nin.com

Dexter - 3rd Session, Episode 06

2008-11-02T12:42:00.006-02:00

I becamed a Dexter addict. So now I'll post things about the Showtime series. Here are the trailer of the Episode 06 ''Si Se Puede'' that is going on air today at 9PM ET/PT.

sho.com/dexter

iGAMEBOY!

2008-10-31T22:32:00.005-02:00

Rob Sheridan is always on something interesting. Now he made a cool iPhone/iPod Touch theme (for jailbroken ones) that gives you back your first version of Nintendo Game Boy.

Available in two versions; one with the Game Boy original buttons and another 'fullscreen' if you hate the buttons like Steve Jobs.
Get it right here!

Taptap Revenge: NIN Edition available now

2008-10-30T21:56:00.000-02:00

Tapulous has released the NIN edition of their popular iPhone/iPod Touch rhythm game, TapTap Revenge. The game includes 13 NIN tracks from The Slip and Ghosts I-IV, multi-player mode, and NIN-themed graphics. To get the game on your iPhone or iPod Touch, click here to visit the iTunes store.

Additionally, Tapulous is giving away floor tickets to an upcoming NIN show and a Les Paul guitar signed by Trent. To enter, just submit a score of over 150,000 points on any track in the game. Each submission counts as one contest entry, so you can submit as many times as you like. For full contest rules, click here.

posted at nin.com

these are the folks behind the game (tapulous’ team, Rob and TR)

Some pictures of TapTap Revenge: NIN Edition

Saw V

2008-10-30T19:23:00.002-02:00

Google Earth officially for iPhone/iPod Touch!

2008-10-27T17:19:00.002-02:00

Today Google released the official version of Earth for iPhone and iPod touch.
It's available today in 18 languages and 22 countries in the iTunes App Store.

Machu Picchu, Peru [Demonbaby: Rob Sheridan]

2008-10-24T23:03:00.003-02:00

Machu Picchu, Peru, upload feito originalmente por Rob Sheridan.

Be sure to see Rob Sheridan Flickr account! There you could see awesome pictures of the places NIN passed on South American tour.

http://www.rob-sheridan.com/tourist

And check out this:

Cooliris for iPhone

2008-10-21T14:24:00.002-02:00

Cooliris is now available for iPhone. Includes the 3D wall and more!

Get it on iTunes Store: http://phobos.apple.com/WebObjects/MZStore.woa/wa/viewSoftware?id=293543764&mt=8

http://www.cooliris.com/

Topple

2008-10-19T20:13:00.005-02:00

Topple is a cool and beautiful iPhone/iPod game. It's like a tetris mixed with a jigsaw and with gravity/physics fundaments.

Available in the App Store righ here.

See this video about Topple.

http://topple.ngmoco.com/

Mini Synthesizer

2008-10-19T11:07:00.002-02:00

Another cool music app for iPhone/iPod is miniSynth from Yonac Software.

If you like it, find it on the iTunes Store!

Dragon Ball - The Movie

2008-10-18T17:50:00.005-03:00

Thinking about Dragon Ball as a movie is so strange - even because Dragon Ball was my favorite anime since I was a child - that I will only believe in it when I could see it on theaters.

Here are the trailer:

more about it: http://dbthemovie.com/

up! up! up!

2008-10-14T21:50:00.005-03:00

Trent is doing the final tests on Tap Tap NIN!

http://nin.com/

And as you could see, Trent has Bloom too!

You shold see Rob Sheridan on Twitter!

http://twitter.com/demonbaby

2008-10-09T21:35:00.003-03:00

Brian Eno, the father of ambient music and one of the greatest musical minds of our time, has just teamed up with musician/programmer Peter Chilvers to create one of the coolest, most unique iPhone apps to hit the App Store yet. CalledBloom, it's "part instrument, part composition and part artwork." It's also a must-get.

Unlike most music-creation apps, it doesn't take an existing musical instrument and cram it awkwardly into the iPhone's interface. Instead, it creates a completely new "instrument" designed specifically for the iPhone. Essentially, you're provided with a colored screen and a quiet drone. As you tap the screen in various places, different tones play depending on where you tapped. They then loop, creating a unique piece of music on the fly, one that changes gradually on its own once you stop tapping.

You can also just let it create music on its own, coming up with a new, unique piece every time you run it. It's also beautiful, with the tones appearing as colored spots that slowly fade. It's as satisfying to actively play with as it is to let do its own thing.

Bloom is available on the App Store now for $3.99, and if you're a fan of ambient music or music in general, you'll be wanting to get it right now. [Bloom (iTunes link) via The Apple Blog; Thanks, Purns!]

Gizmodo.com

Back to NA

2008-10-09T21:17:00.004-03:00

''NIN + SA = BFF
South America, thank you very much! We had a great time performing for you and hanging out in your neck of the woods. I promise we'll be back before long and again I apologize for the cancellations (those were OUR fault and not the promoter's).
On another note, Josh Freese fans be sure to check out a show on the upcoming North American leg of the tour, as sadly they will be the last ones he's playing with us. He informed me he's leaving the tour at the end of this year. Yes, we are still dear friends. No, I'm not sure what we are going to do.
See you in Mexico!
TR''

The Beginning Of The End

nin.com

NIN + Tap Tap Revenge

2008-10-08T20:15:00.005-03:00

more about Tap Tap

http://tapulous.com/taptap/

Yes, it's South America!

2008-10-03T18:02:00.004-03:00

NIN are currently over the Andes going to Santiago, Chile.

Yesterday in Argentina...

nin.com

Tap Tap Nine Inch Nails!

2008-09-29T22:58:00.004-03:00

TR posted on nin.com on the road...

''9.29.08: heading south

On the road again... Leaving fall to arrive in spring. We are very much looking forward to playing for you, South America!
In other news, check the iPhone app store in the coming days. Tapulous is releasing a NIN-branded version of their popular Tap Tap Revenge game featuring music from... that's right, Nine Inch Nails! More details soon.
TR''

Now I can't wait to get my own iPhone!

9.29.08: Here we go again

nin.com

Moment Factory's NIN Tour Video

2008-09-27T20:28:00.001-03:00

we have a voice!

2008-09-20T19:38:00.004-03:00

Since NIN's show was cancelled brazilian fans are trying to get NIN to brazil.

if you're a brazilian too, help us in this! sign in here please!

links:

http://wereinthistogether-nintourbrazil.blogspot.com/

http://www.nineinchnails.com.br/

http://amazingworldana.blogspot.com/2008/09/campanha-nin-tour-brasil.html

http://dominodromo.blogspot.com/

http://www.omelete.com.br/musi/100015228.aspx

we're in this together! we have a voice! we can act!

hindu pez

2008-09-14T22:37:00.002-03:00

Wired magazine's NIN feature

2008-09-13T03:24:00.005-03:00

NIN Dazzles With Lasers, LEDs and Stealth Screens

By Bryan Gardiner

Trent Reznor is silhouetted by undulating orbs of light during a performance of "The Warning."
Photo: Jon Snyder/Wired.com

A vast wall of swirling static dances appears on a giant screen as Trent Reznor and his band launch into their song, "Only." Initially obscured by this sea of visual white noise, the Nine Inch Nails front man intermittently appears to push through the particles of snow with his hands and body, popping in and out of view and opening up random tunnels in the chaos.

"Sometimes, I think I can see right through myself," he sings.

Nine Inch Nails fans are accustomed to such sonic and visual feasts whenever Reznor and company go out on tour. But this time around, NIN has pulled out all the stops, creating a groundbreaking, fully interactive visual display that is as much a part of the show as the band's instruments.

"I'm not really a purist," admits Reznor. "If I'm in the studio working on an album, I try to only please myself. But when it's a tour, it feels a bit more like I have a responsibility to some degree to entertain people."

Reznor and other band members use Lemurs during the "electronic set." The touchscreen devices can be used to control a range of audio and visual aspects of the show on the fly.
Photo: Jon Snyder/Wired.com

For the band's current Lights in the Sky tour, Reznor has not only raised the bar for what's possible in an arena tour, but has also produced what could arguably be one of the most technologically ambitious rock productions ever conceived. Unlike most rock shows, the visuals for about 40 percent of the show (including "Only") aren't pre-rendered. There's no staging, no pantomiming by band members: It's all interactive, live and rendered on the fly.

With more than 40 tons of lighting and stage rigging, hundreds of LED lights, a daunting array of professional and custom-built machinery running both archaic and standard commercial VJ software, three different video systems and an array of sensors and cameras, the tour is nothing if not a lavish display of techno wizardry.

According to Reznor, it all started with a relatively simple idea.

"I wanted to see how I could use video as an instrument," he says, "and try to really make the stage feel like it's organic -- like it's part of the overall set."

Judging from initial reactions to the show, the band has done just that.

Reviews have called LiTS everything from a "vision of splendor" to "the pinnacle of video art," and nowhere is Reznor's showmanship and willingness to tinker with new technologies more apparent than in the band's current tour.

NIN programmer and keyboardist Alessandro Cortini stands in back of the giant stealth screen during sound check.
Photo: Jon Snyder/Wired.com

Transparent Screens

The core of the show is a sophisticated trio of transparent "stealth" screens, which are raised and lowered during the performance.

Using one high-resolution (1024 x 288) Barco D7 screen -- basically, an opaque, computer-controlled screen comprised of a tiny LED system on modular panels -- and two lower-resolution semitransparent screens up front, Reznor and other band members are able to trigger and control various video loops and effects directly from the stage. The musicians can also interact directly with those visuals onscreen during the show, thanks to a sophisticated array of sensors and cameras.

For the most part, those visuals come from Reznor and Rob Sheridan, Reznor's creative partner and the art director for NIN. But the two had considerable help from a few outside parties in putting together the production.

Roy Bennet, a veteran lighting designer who worked with Reznor on the Downward Spiral and Fragile tours, designed and put together the LiTS set according to Trent's initial specs.

It was also Bennet who suggested bringing in the other key part to the show, a company calledMoment Factory.

Responsible for the technology driving most of the interactive tech elements, Moment Factory is a boutique Canadian outfit that's worked on a number of Cirque du Soleil shows and has produced other industrial visual installations.

For the interactive portions of the show, all the onscreen video is rendered by Moment Factory's custom rig, a trio of Linux-based devices collectively known as "the brain."

"They build what they call games," Reznor explains. "Each [interactive] song might have two or three settings ... or games. It's basically particle-based animation."

Those particles can interact with any of the various inputs Reznor and the band have selected.

Known simply as "the brain," this rig is Moment Factory's custom-built Linux machine that runs all of the interactive visuals audience members see during the show.
Photo: Jon Snyder/Wired.com

Interactive Lasers

With the song "Only," for instance, the front, convex screen starts out as solid static. On Reznor's side of the display, a laser above him detects whenever he crosses a vertical plane paralleling the screen. On the floor, a piece of tape and two tiny LED lights let him know exactly where that plane is.

As Reznor intersects that plane with his hand or body, the laser tracks his X and Y coordinates. The "brain" box then tells the particles to spread out to a predetermined dispersal pattern. Reznor says: "Then it follows me around. If I leave the plane, it fills back in. If I push through, it comes back out."

The band uses the same tech for another song later in the show called "Echoplex," from The Slipalbum.

Like many other NIN songs, it's based around a drum machine beat. After rehearsing live a few times with real drums, Reznor realized it sounded better sounded with a machine.

"We recreated a grid drum sequencer," he says. "[Drummer Josh Freese] is actually touching and turning them on and off. But he's not really touching the screen. He's crossing the same laser on the back screen, which gets calibrated at sound check."

The end effect is so seamless, most people assume the band is simply pantomiming to a pre-rendered video, or has actually somehow installed a gigantic touchscreen sequencer on a backstage wall.

"We went through so much effort to make this stuff interactive and people still think it's all staged," jokes Sheridan.

Reznor pushes through a cloud of static onscreen during the band's performance of "Only."
Photo: Jon Snyder/Wired.com

Problems With the Hippotizer

As with any production of this magnitude, there are also the inevitable glitches and hiccups. According to Reznor and Sheridan, many of those can be traced back to an archaic Windows machine known as the Hippotizer, as well as an antiquated lightning console that it interacts with called the Grand Ma.

At one point, during the band's recent Red Rocks, Colorado, performance the Hippotizer choked and spit out some text from the machine's video-labeling system. NIN fans immediately began dissecting still shots from a video someone had taken, and a three-page discussion ensued on NIN forums trying to decipher what the secret text meant.

"It was all just that stupid fucking Hippotizer getting the wrong trigger ... something from the lighting desk just misfired," Sheridan says.

But Reznor, who is an unabashed Mac fan, is also playful about having to partially rely on Windows boxes for some of the show's visuals.

"We purposefully put one frame of the Blue Screen of Death in this collage of static that comes up at the end of 'Great Destroyer,' and right away people caught it," he says.

For the next leg of the tour, Sheridan is working to permanently move the entire lighting and visual system over to a Mac rig running ArKaos VJ software.

Moment Factory's world of cameras. During a performance of "Terrible Lie," one camera directly records the stage and then runs that video through a special effect. That video is then re-projected back onto one of the screens, producing a cool real-time ghosting effect of the band members.
Photo: Jon Snyder/Wired.com

Tying Everything Together

While work on the arena show didn't officially begin until last fall, Reznor says the bones of the tour date back to his 2005 With Teeth tour.

"A trap I realized with NIN was that I could go out and play aggressive music where everyone jumps up and down. But if I wanted to try to bring in some of the other stuff I've been doing -- whether it be electronic or something ambient sounding -- it's tough to take an audience that's been trained to bang their heads to then sit back and think for a minute," he says.

So with the help of Sheridan, Reznor stumbled on the idea of using transparent screens. That system allowed him to augment his wide-ranging portfolio of music with visuals he and Sheridan created. In turn, those visuals helped tie everything together -- or at least kept people from whipping out their cellphones or walking off to grab a beer during the "slow songs."

Reznor appears backstage before the Oakland show.
Photo: Jon Snyder/Wired.com

Currently, Reznor and the band are on a brief two-week hiatus, before taking the Lights in the Sky tour down to South America and then weaving back up through the States, where they'll finish up the American portion in mid-December.

There are also talks between NIN and director James Cameron to film the show in 3-D ("to at least have proof when U2 rips us off next year that we did it first," Reznor says), and the band also has been in ongoing discussions with HBO for a Year Zero miniseries which would launch in conjunction with a second album and an alternate-reality game.

When asked about his future plans for touring, after the Lights in the Sky wraps up, Reznor says the next series of shows may be a different beast altogether.

"Next time might just be white lights in a club and it's about the music," he says. "Because I'll be broke and that's all I'll have."

http://www.wired.com/entertainment/music/news/2008/09/nin_show?currentPage=all#

NIN Dazzles With Lasers, LEDs and Stealth Screens

2008-09-13T02:56:00.001-03:00

Nine Inch Nails have pulled out all the stops for their high-tech new tour, creating a groundbreaking, fully interactive visual display that is as much a part of the show as the band's instruments. Reviews have called it everything from a "vision of splendor" to "the pinnacle of video art."

read more | digg story

Blindness!

2008-09-12T20:02:00.003-03:00

If you live in Brazil don't stay here! Go see Blindness!

September 26 in U.S.